![]() Part of the duo’s work on Oriental Beat in the studio was also filmed for the upcoming documentary on Monroe’s life, set for release in 2023. “So we remixed it, and then me and Andy went in to finalize it.” “It was mixed like shit back in the day, and we always wanted to fix it,” says Monroe. Several years ago, Monroe got a call from someone at Universal who found the batch of recordings in a warehouse, which was labeled “Vision Studios, London” along with the band’s name. in the 1980s, the band initially wanted to remix Oriental Beat but were told the original, multi-track tape recordings had disappeared in German storage. When Guns N’ Roses used their then-label, UZI Suicide, to re-release Hanoi Rocks’ out-of-print albums in the U.S. Recently connecting with former Hanoi guitarist and songwriter Andy McCoy, the two work on the 40th anniversary remaster of their second album, Oriental Beat. It’s renewed from what it was before and there’s a story around each song. ![]() ![]() “It’s stronger with more drums and kicks ass even more. “The album has been remastered, so it’s better than before,” Monroe tells American Songwriter. Several original tracks co-written by Monroe, his late wife Jude Wilder, and Van Zandt, including “Hammersmith Palais,” “Dysfunctional” and “The Scum Lives On,” also appear in earlier demo form on the reissue, along with the Monroe- and Bators-penned “Deadtime Stories.” The reissue also features new detailed liner notes with commentary on each track. Subs’ “Endangered Species,” and “I Wanna Be Loved,” originally released by another one of Monroe’s late friends, Johnny Thunders (and The Heartbreakers), in 1977. Released on vinyl, CD, and digitally for the first time, via Van Zandt’s Wicked Cool Records, Demolition 23 is a collection of covers-the Dead Boys’ “Ain’t Nothing to Do,” the U.K.
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